Photo Cascadia Blog
Archive for the ‘Garden Photography’ Category
My new book Visionary Landscapes has just been released by Tuttle Publishing and it can be found at your local book store, chain, Japanese garden, or online venue. A description given by the publisher follows.
Japanese gardens are found throughout the world today-their unique forms now considered a universal art form. This stunning Japanese gardening book examines the work of five leading landscape architects in North America who are exploring the extraordinary power of Japanese-style garden design to create an immersive experience promoting personal and social well-being.
Master garden designers Hoichi Kurisu, Takeo Uesugi, David Slawson, Shin Abe and Marc Keane have each interpreted the style and meaning of the Japanese garden in unique ways in their innovative designs for private, commercial and public spaces. Several recent Japanese-style gardens by each designer are featured in this book with detailed descriptions and sumptuous color photos.
- Hoichi Kurisu – transformative spaces for spiritual and physical equilibrium.
- Takeo Uesugi – bright, flowing gardens that evoke joyful living.
- David Slawson – evocations of native place that fuse with the surrounding landscape.
- Shin Abe – dynamically balanced “visual stories” that produce meaning and comfort.
- Marc Keane – reflections on human connections with nature through the art of gardens.
Also included are essays on the designers and mini-essays by them about gardens in Japan which have most inspired their work, as well as commentaries by patrons and visitors to their North American gardens.
The book focuses on recently-created gardens to suggest how the art form is currently evolving, and to understand how Japanese garden design principles and practices are being adapted to suit the needs and ways of people living and working outside Japan today.
Using a Telephoto Lens to Compress Garden Scenes
Since gardens are beginning to blossom again after a long winter, I’m returning to the garden setting for this tip.
A telephoto lens is essential in garden photography for picking out pieces of a distant landscape or for macro work, and I often use one in conjunction with extension tubes or close-up filters. For landscape photography I use a zoom to pick out the garden details or to create a layering effect. On foggy days, I often look for how trees stack up with one another and how they lose detail as they recede into the mist; the layering on these days works exceptionally well.
When I spotted this field of poppies growing in the Willamette Valley of Oregon, I wanted to recreate the feeling I had of seeing such a multitude of flowers in one place. To do this, I chose a telephoto lens and crouched down a bit lower to overlap all the poppies. By using a zoom and compressing the scene, I was able to capture the feeling I had of seeing so many poppies in one place.
For this image of wallflowers in the Willamette Valley of Oregon, I used a telephoto lens to compress the scene for the multitude of flowers and also to keep the size of the tree large on the distant ridge. If I had used a wider-angle lens, the distant tree would only be a small pimple on the ridge face. A telephoto lens creates more drama in the scene.
While I was visiting Beacon Hill Park in Victoria, Canada I used my Canon 70-200mm telephoto lens to help frame the wonderfully lit tree with the yellow blossoms of the surrounding shrubs. The compression also created a layering effect for this image and compositionally a frame-within-a-frame which creates depth.
If you like this garden photography tip, I offer 99 more in my e-book “100 Tips to Improve Your Flower and Garden Photography.”
Look for my next garden book Visionary Landscapes due out this September on Tuttle Publishing.
In May of this year I had an opportunity to spend a few days in Acadia National Park. If you are not familiar with the area it’s in the state of Maine, one of the six states making up the New England region. When it comes to photography the area is certainly more known for visiting in fall season to capture vivid red, yellow and orange colors from the plethora of deciduous trees filling the landscape. Fall season aside there is still much to see and photograph during the other three seasons, including spring. In spring the trees and foliage are in full bloom with an array of green hues to fill up your camera lens.
While a few days allows for seeing the main sites I would overall recommend a couple more beyond that to check out more of the area and get on a couple more trails or kayaking. I will also say I am someone that typically researches quite a bit ahead of time for any trip of a few days or more. This one I pretty much winged it. I give that caveat ahead of my trip review for additional context.
When I got into Acadia it was the Friday starting on Memorial Day weekend. I was certainly prepared for jammed roads, too many tourists and little space. Much to my surprise it was not bad at all with plenty of moments to take in the area without too much commotion.
There are many options just outside of park as well as some inside the park, including camping. Since lodging when I travel by myself literally means a decent place to sleep, and nothing more, I chose an inexpensive motel on the main highway just outside the main entrance of the park. It worked out well for me.
In the park options are limited. Just outside the park there places like Bar Harbor with plenty of options. As said before I was mainly there to see sites. I hit the local grocery store and used the fridge at the motel. Don’t forget to eat plenty of lobster, it’s pretty much everywhere.
You can actually fly into Bangor International which is only about a 45 mile drive to Acadia. I happened to already be in Portland (Portland, Maine that is not to be confused with my hometown Portland, Oregon) where it made sense for me to drive the 160 miles vs getting on another plane.
There is a little bit of everything here from small ponds to ocean waves and lush forests to mountain views. The Park Loop Rd is the main route in the east portion of the park. One thing I like about the setup of the main loop is the one-way two lane feature where the right lane doubles as a parking spot in most parts. For photography this is great. I see something I like and can literally stop the car in the middle of the road to get out and take photos. Yes this means that once you pass a spot the only way back to it is doing the full loop again but the pros outweigh the cons.
Whether you like rough rocky shores or small town boat harbors ANP has them as well. The iconic Bass Harbor Head Lighthouse is located outside the busiest part of the park and worth checking out. Truth be told I was looking forward to photographing the Portland Head Lighthouse more, yet on my visit it was dressed in scaffolding for maintenance, maybe next time.
The first afternoon and morning of my second day brought spells of fog which made for some great atmosphere to photograph. We often talk about national parks being too crowded and for the most part I agree with that. Yet on my first evening I was photographing this fine grove of ferns and I had wondered if the park was closed and I got locked in! I spent 15 to 20 minutes standing on the road photographing this scene in the early evening with not a single car coming by and it was on the main park loop. All I could hear was the sound of occasional water dripping and leaves waving when breezes came through. It was fantastic.
The next morning as the sun scorched it’s way through the fog there was fine scenes I encountered. On this foggy road I ‘parked’ my car just behind where I stood to take this photo. Only a couple cars and runners strolled through.
My good friend and fellow Photo Cascadia team member did tell me there are good options for photographing rocks. There certainly are some cool finds. While my hair got soaked to the point water was running down my face from the dense fog I found this neat rock formation. I am thinking boot yet I also see a dolphin. What do you see?
Perhaps the most fun to see and photograph rock wise was Little Hunters Beach. There is no big sign to show you the way; you can easily miss it if you aren’t looking for it. It’s like one gigantic bag of marbles were dumped on the shore. Can’t remember the last time I saw this many beautiful rocks in one spot.
Some of the best views are up on Cadillac Mountain; at just over 460 meters is the highest point which feels low until you remind yourself you are on the ocean. You can hike just a short ways and be away from the masses. If you are a curb side shooter this place works too. Don’t be fooled thinking that just because you are nearing summer and sunrise is before 5 am that it will be quiet. Boy was I in for a surprise. Hundreds were up there to watch the sunrise, most just to experience the scene not to photograph.
This sunrise was the best I had all trip and the sliver of sun poking through was all we saw before the clouds engulfed it. This foreground seemed fitting as the rocks look a little like lobster claws.
If you prefer a little more man made than pure nature there is very nice little Japanese one right outside the park called Asticou Azalea Garden that is free to visit.
Definitely cannot forget about getting down close to the rugged rocky ocean shoreline. I get mesmerized watching the waves slosh around. Thunderhole is a great place to see if you can time it right for waves. During my time there the water was too calm for much action according to one of the rangers. No worry for me plenty else to see.
All in all it was a pretty quick trip yet a fine place to spend a few days photographing and exploring. If you have never been it’s certainly one to add to your bucket list. I hope to make a trip back during fall in the future.
On the subject of national parks I will get on my soap box ever so briefly. With the staggering increase volume of visitors each year to some of the major parks in the United States it’s no wonder we are seeing the many headlines of a small number of people making poor decisions negatively impacting a park landscape or wildlife. I would say mostly I have seen stories from Yellowstone this year yet that park is not alone. Others may not agree with me yet I feel the most popular parks are approaching a crisis. If we don’t effectively manage through the high visitor rate that appears to be continuing upward I fear a system of national parks we know today may be a lot less enjoyable 30 to 50 years from now. Although I don’t love permitting systems or limiting access to what we deem ‘our national parks’ I am beginning to wonder if the peak seasons at large popular parks need to entertain new ideas to effectively limit traffic, both number of people and vehicles. I won’t dive into a deep debate here, simply something to ponder. On that note get out there and enjoy your parks as I will be doing the same this summer with my family.
The spring wildflowers have started to pop in the Columbia River Gorge of Oregon, so I thought I’d take the time to explore a technique I often use for photographing spring wildflowers called “shoot-through” or “cramming.” I had used this technique for a number of years before I learned macro photographer Michael Brown coined the phrase “cram-it.” It’s fun, and it takes a bit of practice, so if you’re willing to give it a try here’s how to do it.
I often use a telephoto for this procedure, and employ this method when I want to eliminate distracting elements or when I want a wash of color throughout my image. I use a fairly wide-open aperture setting and find f2.8–f5.6 works best. I place my lens against a number of blossoms while selective focusing on a background flower. The front images are blurred and help obscure a number of distractions like twigs or branches. They also create a more ‘painterly’ feel to the photograph.
I loved the color of these tulips on top of a rock, but couldn’t photograph them without including distracting parts of a nearby house. My solution was to lay my lens right in front of a bundle of red and orange flowers and then “shoot through” them. This added a nice wash of color across the stems, and also eliminated the distracting staircase and window of the house.
In a recent photo of water lilies taken on the Big Island of Hawaii, I was going for more of a Monet feel for the image. For this shot I used my Canon 70-200 telephoto lens, my Kenko Pro 1.4x teleconverter, and my Canon 500D close-up filter. I placed my lens right in front of a clump of grass and “shot through” it. The shallow depth-of-field gave me the softness I liked, but “cramming” with the grass lends an even softer look and captured the Monet feel I was after.
I’ve posted a couple of other examples of this technique below. You can find this tip and 99 others contained in my e-book 100 Tips to Improve Your Flower and Garden Photography.
Tips for Photographing a Japanese Garden in Spring
By David Cobb
Recently I took a stroll through the Portland Japanese Garden to admire the cherry blossom blooms, and I took my camera along in case something caught my eye. When photographing for the book “Quiet Beauty: Japanese Gardens of North America,” I noticed the spring and fall seasons were different in the garden. The light was better, the garden seemed fresher due to recent rains, and there was much more color. Here are a few tips for photographing a Japanese garden in spring.
Get there early: The earlier the better in spring to take advantage of that beautiful light. Gardens are best to photograph in soft light, so mornings, overcast days, and sunset can bring the best light to your garden photography. Mornings are preferable because spring days can bring windy weather later in the day.
Watch your red channel: The histogram on the back of your camera is an average of your red, green, and blue channels. When photographing the red spring blooms of azaleas, rhododendrons, and camellias you’ll need to be aware of your red channel. The average on your histogram might look fine, but your red channel could be clipped off the charts. This means you’re losing detail in the blossoms of those flowers, and when you lose detail the flowers look like sheets of color.
Backlighting: This can be the best and most dramatic light in the garden, and the most difficult to photograph. When photographing backlighting I often use a lens hood to avoid image flare, but when it’s captured correctly the backlighting adds a beautiful glow to an image.
Don’t include the sky: There are few reasons to include a sky in your garden image, unless you’re interested in a sun star or to include a fabulous sunrise or sunset. When you visit a Japanese garden or any garden, photograph the garden and minimalize the sky.
Photograph water features: For some reason water features in a Japanese garden seem cleaner and fresher in the spring. Maybe it’s the spring rains or maybe it’s that the gardeners have caught up on all their chores, but spring is a wonderful time to include water features.
Use a polarizer: I can’t stress this enough in garden photography, and a polarizer will make or break a shot in a Japanese garden. There are a lot of reflective plants and leaves in the garden, so a polarizer will cut down on those reflections and help saturate the color of the garden image too.
Photograph blossoms by structures: There are a number of structures in a Japanese garden, so I always try to compose a few blossoms near them to give a hint of the spring season. A few flowers and a little greenery also go a long way to help soften the harsher angles and elements of a man-made structure.
Change your perspective: This tip is good for any season or for any type of photography, so change your perspective and quit shooting at eye level. Crouch down, get on your belly if you need to or get high and shoot down, but change the viewpoint to create a more interesting and dynamic image.