Photo Cascadia Blog
Archive for the ‘Locations’ Category
In May I went on an incredible journey with my Camera and my friend Paul to the north of Norway. We explored the Lofoten Island Chain and Senja Island. In June I shared a trip report and images here on the Photo Cascadia blog. Since then I have completed some more images and a short behind the scenes movie of our adventure.
All the video for the movie was captured with my iPhone or with the DJI Mavic Pro drone that I brought with me. I was just mentioning the other day that the Mavic Pro is currently the only drone that has the control and camera quality that I’m looking for, combined with being small enough to fit in my camera bag with the rest of my gear. I’m learning that video, particularly drone footage, provides a welcome added layer to my photographic story telling. Still images have to convey a feeling or concept in a single frame, so light, composition, timing and developing really come into play. Video, on the other hand, does a great job of bringing you along for the ride, sharing the story of the lifestyle and experience behind the photos. The drone takes it up a level (litterally) by providing perspective, motion and views that can’t be captured any other way. The downside of the drone is that it is, at the least, distracting and more commonly simply annoying and unsettling to others. It is important to me to not impose that on others, so I try to fly only when there are no people around. Fortunately, in Norway, we were photographing during the night and we rarely saw other people.
So, please enjoy Northland: Photographing Arctic Norway.
Thanks for watching! If you would like to learn more about the trip, make sure to check out my initial trip report as well.
Sean is a full-time photographer and photography educator. You can see more of his images and find out about his video tutorial courses and upcoming workshops, tours and classes on his website at www.OutdoorExposurePhoto.com.
In 2011 I saw a beautiful time lapse video by Terje Sørgjerd. The entire video is of sunset and twilight scenery in the Arctic islands of Norway. Some of the time lapse segments span five or six hours of time and the light continues throughout. It immediately captured my attention and inspired my imagination.
The Lofoten archipelago has become a popular photography destination since the system of tunnels and bridges traversing the 100 miles of islands was finished in 2009. In the winter it is one of the top destinations for photographing the aurora. In the summer, when the sun never sets, you can hike to mountain lakes and scale peaks too numerous to count. But it was the light that Terje found in the spring, a couple weeks before the midnight sun begins, that really intrigued me. In his video, gorgeous glowing twilight stretches on for five or six hours a time. Photographing for hours in my favorite light surrounded by dramatic and surreal sea-to-summit landscapes seemed like a dream. Six years after seeing Terje’s video I finally was able to make the trip myself.
After researching and talking with other photographers who had been there, I knew that the photography locations would be spread out across many islands and hundreds of miles windy roads, bridges and tunnels. Here in the western US my trusty Toyota truck and pop-up camper are essential pieces of photography equipment, enabling me to camp close to photography locations and be ready to shoot when the light is good and sleep when it isn’t. I became convinced that this type of “sleep where you shoot” approach would work well in Norway too, so I proceeded to look for rental RV’s above the Arctic Circle and plot my course on Google Maps.
My friend, Paul Imperia, is a guy who isn’t afraid of a little adventure. When I emailed him with some details about the trip his reply only had two words, “I’m in!” So, in late April we flew to the north of Norway and spent a couple weeks road-tripping in our rented Viking RV. We christened it the Gokstad after the famous historic Viking ship. The weather was suitably cold, windy and wet for the Arctic in May and the light did not disappoint. The lighting would begin getting good around 9:00 PM and the sun would set about 11:00 PM. Then gorgeous twilight would continue through the night until about 3:30 or 4:00 AM when the sun would rise. By 6:00 AM we would call it a day. We would usually take a “lunch” break about midnight when the light was lowest. Paul is an excellent cook so these breaks would really be gourmet food events prepared in the Gokstad with plenty of wine and perhaps a bit of Scotch. Living nocturnal lives meant that we rarely saw people in the villages or cars on the road. It was like being in one of those sci-fi movies where you are the last people on Earth. The upside is that we never got off of West Coast time, so no jet lag going or coming.
What follows are some images and stories from the trip. I hope you enjoy. I’ll include some info and links on the trip logistics at the end of the article. If you are interested in visiting this region of Norway and have questions for me, please leave them in the comments below.
I took this on our first day on the road. We flew into Tromso and picked up the RV, and then waited 24 hours for lost luggage to show up. Mine did, Paul’s didn’t. So we decided to drive all night to get to the Lofoten islands and hope that Paul’s duffle would show up at a local airport in the area eventually. We pulled over at 3:30 in the morning, just before sunrise, for our first photo session. I’m not sure exactly where we were, but it was cold. This ice was a cool phenomenon we saw along many of the fjords. I’m not sure exactly how it occurs, but I think a thin layer of ice forms on the brackish water at high tide. Then, as the tide goes out this thin layer covers the shore like a delicate ice blanket. It was so fragile but great for texture and reflections.
Canon 5D4, 17mm, polarizer. 0.6 seconds, f/14, ISO 100.
This was one of our favorite locations of the trip and we returned here two or three times. The images I took on each visit have completely different characteristics. I enjoy being able to return to a spot and experience it in different light and weather. For me, it is a good reminder that landscape photography isn’t just about the landscape itself, but also the atmosphere, light, mood and experience you encounter while in the landscape. This is one shot, but I did some perspective work on it. My camera was pointed slightly down so the mountains were leaning outward. I copied the upper 1/3 onto a new layer and transformed it so the mountains and reflections would be vertical as they should be…but without losing the wide angle perspective of the foreground.
Canon 5D4, 24mm, polarizer. 6 seconds, f/16, ISO 100.
“70 Degrees North”
This is a second photo from the same location. The Lofoten Islands is a chain of rock teeth that rise from the ocean and stretch more than a hundred miles out into the Norwegian Sea. It was a rare and strange experience to photograph tidepools and jagged granite peaks in such close proximity to each other. This is what the light looked like at 11:00 at night, right before the sun actually set.
Single exposure, Canon 5D4, 16-35mm, polarizer, 0.5 seconds, F/18, ISO 100.
“In The Night”
Three images stitched to create the panorama. Canon 5D4, 70mm, f/11, 10 seconds.
There are some recurring elements in most of the photos I made in Norway: ocean-scapes with mountainous backdrops, moody weather and twilight. But those are the precise elements I went there to see…so mission accomplished from that perspective, I guess. We would stay out until our fingers went numb, then we would duck into Gokstad the Viking RV to warm up. It’s hard to see at screen size, but there is a small village across the fjord dwarfed beneath the mountains.
Canon 5D Mark IV, 16-35mm. Perspective and wave motion blend of three different frames. f/11 and 35mm background, f/22 and 20mm foreground.
A small tree reflecting in a small pond on a small island in a fjord next to the big island of Flakstadøya in Norway. Dreamy light courtesy of all-night arctic twilight. According to Ron Jansen, who lives in Norway, “‘Bu’, or ‘bo’, can mean a little hut or cabin. ‘Øya’ means ‘the island’. Stor means large. So most likely, Stor Buøya refers to a time before the road and bridges were there and this island (the larger of two very small ones) had one or a few little cabins on it.
Canon 5D4, 16-35mm at 26mm, polarizer. 3.2 seconds, f/14, ISO 100. Side note: almost all of the images I took on this trip in the 24-35mm range were taken with my16-35mm instead of the 24-70mm I would normally use. On the second day of the trip, I slipped on some slimy rocks and my beloved 24-70 f/2.8 MKII took the full hit, sacrificing it but saving the camera. I spent the rest of the trip getting by with the 16-35 and the 70-200. I’m waiting to hear from Canon if the 24-70 can be resurrected from the dead.
Endless night is what it felt like we were living after two weeks of photographing through the nights and sleeping during the days in Norway. Paul and I happened on this beach on the Island of Vestvågøy. The maze of fjords, bays and headlands on the islands mean that scenes like this can be found around any corner or through any tunnel. We would look at Google maps to find a particularly jagged shoreline and then see if there was a road that would take us there. Often a long tunnel under a mountain would open onto a remote and windswept landscape like this one. This beach had some cool eroded cauldrons with iridescent algae growing in them. They were fun to work with as foreground elements. Meanwhile, thundershowers moved in from the Norwegian sea, alternately pounding us with wind and hail and exposing small openings in the clouds that would let the late-night light through.
Canon 5D4, 16mm. 8 Seconds, f/18, ISO 100. It has been awesome using the 5D4. The dynamic range capability allows me to capture many scenes like this in a single exposure instead of needing to bracket and blend exposures. I know…Nikon and Sony users have been doing this for years. It’s awesome to now have that as a Canon user.
“The Norwegian Sea”
More deep twilight from Norway, but some warmer tones this time. Throughout our all-night photo shoots small breaks in the clouds would let soft twilight filter across the landscape and keep us transfixed. Once the sun set there would be several hours of light like this before the sun would rise again, around 3 AM. So finding the light was just a matter of being patient for an opening in the clouds to come.
Canon 5D Mark IV, 16-35mm at 24mm. Polarizer. 15 seconds, f/22, ISO 100. Developing included tonal balancing for sky and land, split toning and luminosity/color painting.
“North Of The Wall”
It was about 2:00 AM when I took this. I was alone on the island of Senja, north of the Lofoten chain. Paul had left for warmer conditions (in Cuba) a couple days earlier, but I stayed to continue getting schooled in what spring in the Arctic is about. I knew Norway would be colder and stormier than Oregon in May, but the marine air, wind and below-freezing temperatures made it feel like we were “north of the wall”. Paul and I made frequent GoT jokes throughout the trip. When it began snowing at sea level I didn’t worry too much and celebrated the opportunity to photograph snow on the ocean shore. But it kept snowing and began accumulating on the road. The only way through the mountains on Senja is to go under them…one tunnel after another. But when it snows too much the tunnels can be closed by avalanches. The fact that Gokstad the Viking RV didn’t come equipped with chains also gave me some anxiety. I hung out on this fjord for a full day in the snow, but with my flight less than 24 hours away I decided I had to make a run for it. A couple hours of white knuckle driving later I managed to navigate through all the tunnels and arrived at the ferry dock on the other side of the island.
Canon 5D4, 16-35mm at 16mm, 30 seconds, f/20, ISO 100. Single exposure worked in Lightroom and then finished in Photoshop. I did quite a bit of contrast and localized luminosity work until I felt I had communicated the mood.
“Lunch Break In The Gokstad”
The mid-night sun begins around May 24. The period between the end of April and late May is when the long Arctic twilight happens. The light quality is similar again in late July and August, but then the weather isn’t so dramatic and the snow has melted off the peaks.
We flew to Tromso and picked up the RV there. We rented from Motorhome.no but there are other rental companies in Tromso. It was a 10 or 12-hour drive from Tromso to the very end of the Lofoten Islands. There are airports in the Lofoten chain, but I’m not sure of the availability of RV rentals.
Norway has a general public right, called Freedom To Roam, which means that you can hike and camp just about anywhere as long as you take care of the land. It also means that you can park an RV in just about any pullout along the road. This enabled us to find places to cook and sleep within a few yards of where we wanted to photograph.
Restaurants are expensive and almost non-existent way out in the islands. We stocked up on groceries in larger towns and cooked almost every meal in the RV.
The temperatures ranged from the low 20s to the low 40s, Fahrenheit, but the wind and damp ocean air made it feel much colder. I wore several insulating layers including down, a Gore-tex shell, hat and gloves. I decided to pack a pair of Boggs neoprene waterproof boots and they proved critical for keeping my feet warm and dry.
Sean is a full-time photographer and photography educator. You can see more of his images and find out about his video tutorial courses and upcoming workshops, tours and classes on his website at www.OutdoorExposurePhoto.com.
Whether it’s serious or downright hilarious we all can appreciate quotes that inspire us in some way or at the very least cause for pause and thought. Some of these have been accumulated over time in my note taking and others were discovered when thinking about this blog post. They were chosen because they reflect how I view photography or nature, inspire me personally, portray the past, present, future of photography or merely provide a good laugh. After all “Always laugh when you can. It is cheap medicine” – Lord Byron.
I am sure a few you have heard before yet I am also sure there are some you haven’t. From some of the biggest names in photography to others not as well known or not professional photographers at all, to simply nature related inspiration for your next landscape adventure. Spend a few minutes below to get your thoughts flowing. These are intentionally in no particular order. Feel free to comment below with your favorite photography or nature related quote.
“In a world and a life that moves so fast, photography just makes the sound go out and it makes you stop and take a pause. Photography calms me.” – Drew Barrymore
“There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.” – Ernst Haas
“Light makes photography. Embrace light. Admire it. Love it. But above all, know light. Know it for all you are worth, and you will know the key to photography.” – George Eastman
“With photography, you zero in; you put a lot of energy into short moments, and then you go on to the next thing.” – Robert Mapplethorpe
“The whole nature of photography has changed with the advent of a camera in everybody’s hand.” – Sally Mann
“I find it some of the hardest photography and the most challenging photography I’ve ever done. It’s a real challenge to work with the natural features and the natural light.” – Galen Rowell
“Think of an economy where people could be an artist or a photographer or a writer without worrying about keeping their day job in order to have health insurance.” – Nancy Pelosi
“I don’t have a favorite photo. As a photographer, I have attachments to each image. Not the one photo: the experience of getting the photos is the challenge or the thing.” – Michael Muller
“It is a peculiar part of the good photographer’s adventure to know where luck is most likely to lie in the stream, to hook it, and to bring it in without unfair play and without too much subduing it.” – James Agee
“Photography is a way of feeling, of touching, of loving. What you have caught on film is captured forever… it remembers little things, long after you have forgotten everything.” – Aaron Siskind
“Photographers deal with a lot of crop.” – Unknown
“With photography a new language has been created. Now for the first time it is possible to express reality by reality. We can look at an impression as long as we wish, we can delve into it and, so to speak, renew past experiences at will.” – Ernst Haas
“Photographers are violent people. First they frame you, then they shoot you, then they hang you on the wall.” – Unknown
“The more pictures you see, the better you are as a photographer.” – Robert Mapplethorpe
“The grass is always greener when you crank up the saturation in Photoshop.” – Unknown
“If we limit our vision to the real world, we will forever be fighting on the minus side of things, working only too make our photographs equal to what we see out there, but no better.” – Galen Rowell
“Cheap photography isn’t good, my dear, and good photography isn’t cheap.” – Unkown
“I think a photograph, of whatever it might be – a landscape, a person – requires personal involvement. That means knowing your subject, not just snapping at what’s in front of you.” – Frans Lanting
“How many photographers does it take to change a light bulb? 50. One to change the bulb and 49 to say, ‘I could have done that!” – Unknown
“Landscape photography is the supreme test of the photographer – and often the supreme disappointment.” – Ansel Adams
“The camera sees more than the eye, so why not make use of it?” – Edward Weston
“People say photographs don’t lie, mind do.” – David LaChapelle
“You must know with intuition when to click the camera. That is the moment a photographer is creative. The moment! Once you miss it. It is gone, forever.” – Henri- Cartier-Bresson
“Every photograph is the photographer’s opinion about something. It’s how they feel about something: what they think is horrible, tragic, funny.” – Mary Ellen Mark
“I’m always mentally photographing everything as practice.” – Minor White
“You might be a photographer if you won’t even share a cell phone picture without editing it.” – Unkown
“Nobody takes a picture of something they want to forget.” – Robin Williams
“It was only after a while, after photographing mines and clear-cutting of forests in Maine, that I realized I was looking at the components of photography itself. Photography uses paper made from trees, water, metals, and chemistry. In a way, I was looking at all these things that feed into photography.” – David Maisel
“Skill in photography is acquired by practice and not by purchase.” – Piercy W Harris
“For me, pointing and clicking my phone is absolutely fine. People say that isn’t the art of photography but I don’t agree.” – Annie Lennox
“Life is like a camera. Focus on what’s important. Capture the good times. And if things don’t work out, just take another shot.” – Unknown
“Wilderness is not a luxury but a necessity of the human spirit, and as vital to our lives as water and good bread. A civilization which destroys what little remains of the wild, the spare, the original, is cutting itself off from its origins and betraying the principle of civilization itself.” – Edward Abbey
“Wealth is the ability to fully experience life.” – Henry David Thoreau
“There are no bad pictures; that’s just how your face looks sometimes.” – Abraham Lincoln
“A camera didn’t make a great picture anymore than a typewriter wrote a great novel.” – Peter Adams
“Photography is the power of observation, not the application of technology.” – Ken Rockwell
“Warning: I am about to snap!”- Unknown
“Photography records the gamut of feelings written on the human face, the beauty of the earth and skies that man has inherited, and the wealth and confusion man has created. It is a major force in explaining man to man.” – Edward Steichen
“When you are a photographer, you work all the time, because your eye is the first camera.” – Patrick Demarchelier
Mt St Helens just had its 37th anniversary this week since its eruption on May 18, 1980. There are several different places to photograph wildflowers on Mount St Helens, which offer completely different views of the mountain, and wildflowers. Depending on time and area, wildflowers generally start to bloom in early July and make their way to different parts of the park throughout the month. Access to the different locations of Mount St Helens for wildflowers can be cumbersome and difficult at times. Make sure to bring a map and research routes to get to your destination. To find out more information about when the flowers are blooming I often call the visitor center at the Johnston Ridge Observatory to get up to date reports of the wildflower status. Depending on which direction you come from will determine which highway you take to get to the flower destination. What is unique about Mount St Helens is that each side offers a different perspective of the landscape. As mentioned, flowers bloom at different times depending on the elevation and which side of the mountain. In this article, I have listed some of my favorite areas and hiking trails to visit on Mt St Helens for wildflowers. I have also included at the end of the article some tips I have found helpful when photographing at Mt St Helens.
Johnston Ridge Observatory Viewpoint
If you are looking to find the best flowers with the best view of the mountain, Johnston Ridge Observatory area will be your best bet. There are many trails and viewpoints from this area with the mountain and flowers together. In this particular area, the best flowers with the mountain are right in front of the visitor center. The collections of wildflowers that can be found are Indian paintbrush, penstemon, and lupine just to name a few. Make sure to explore around the area for at least a couple hours to find the best composition. I encourage people to hike the trails to find unique compositions. Because this spot is photographed often, I really try to get creative with my compositions.
Another great spot for finding huge layouts of flowers together is a pull out just before you reach the Johnson Ridge Observatory. What I like about this location is that you will find far fewer people, with a variety of different trails leading from the parking lot. With a multitude of different looks to the mountain with combinations of flowers.
The first trail I recommend for wildflowers and views of the mountain is the Norway Pass trail. It can be found on the eastern side of the mountain. Not only do you get wildflowers at the top of this hike but you can also look straight down at Spirit Lake. Throughout the hike, the scenery is stunning all around. What makes this trail unique is the juxtaposition between the old and new when you reach the top. You will see evidence of the devastation in terms of the landscape and the regrowth in the flowers together. Another unique fact about the Norway pass trail is the bear grass that grows up on the top, which complements the background view of Spirit Lake and Mount Saint Helens. My tip for this trail is to stay after the sunset and capture the reflection of the twilight colors in the lake, which provides a soothing mood and unforgettable experience.
The Windy Ridge trail will give you a completely different look of Mount St Helens. It is the closest you can get to the crater in terms of distance. The landscape is much different here than anywhere else on the mountain. I find it more barren. The combination of finding a set of wildflowers and the barren landscape together with the view of the mountain really tell a story. When I visit this area, my only goal is to find a solitary set of wildflowers surrounded by the stark landscape. From the Windy Ridge area, you have total access to the iconic surrounding mountains such as Mount Adams and Mount Rainier. Make sure to explore and take the different trails. To access the Windy Ridge you need to take the National Forest Road 99.
Lahar Valley Viewpoint
One of the most underrated viewpoints of Mount Saint Helens is the Lahar Viewpoint. The Lahar Viewpoint offers views from the Southside of the volcano. The area often has the most wildflowers of anywhere on the mountain as the valley is carpeted with penstemon, lupine, and other wildflowers. When photographing in this area, I will use elements of the landscape to use in my composition. I often look for logs that are placed on the ground that point towards the mountain. When this is immersed with flowers it makes for a very impactful photo. Hiking around the Lahar Valley, you will often find solitude. Of the many times I visited, I have been alone. I have walked several miles from the main trailhead, all with great views in the spring of the flowers and the mountain.
Coldwater Lake Loop
One of the areas I like to visit in the late afternoon if I have some time to relax is around the Coldwater Lake area. It’s not necessarily a great place for flowers but it’s a great place to walk around and get some exercise. If you get lucky you can capture the lake when it’s calm for the perfect reflection of the mountain.
Tips For Photographing The Wildflowers At Mt St Helens
There are many elements of the landscape that make Mt St Helens unique. Items such as fallen logs, crevices, and deep valleys are part of the landscape that really helps tell a story about the mountain and its history. Try to include these elements, to enhance the image and give a sense of place.
The variety of wildflowers and colors are amazing. A number of different colors is one of the first things that you will notice if you visit in July, besides the mountain. When photographing this amazing display of wildflowers it’s important to compose the image so the colors are balanced throughout. To be more specific, try to balance the warmer and cooler tones together so that not one side becomes heavier than the other in terms of color. I also try to get an even display of different flowers without one kind being too overwhelming. Because the colors have so much impact it’s important to be very mindful of how you compose these flowers in your image. It’s also important that the flowers lead into the mountain to create depth in your image as well as create a connection between the front of the image to the back of it. You will find at Mount St. Helens it will often be very windy, making it important to have a tripod. Make sure that you use a higher ISO and shutter speed to capture the detail in the flowers without movement. I will often photograph a series of different exposures at different ISO and shutter speeds. Making sure that I have an ample amount of images with wildflowers where there is detail and no movement.
One of my favorite things to do at Mount St. Helens’ is to photograph the wildflowers at night with the Milky Way. The combination of photographing the Milky Way and wildflowers together has become very popular in the last few years. It is certainly a challenge to photograph both the wildflowers at night and the Milky Way but the reward can be fantastic.
These are just a few of the areas and trails that make Mt St Helens a fantastic place to see and photograph wildflowers. Take the time this summer to really explore this mountain. You will not regret it!
Last Fall myself and a handful of my Photo Cascadia peeps headed down to the desert southwest region. I had only been down that way a couple times before, the only longish trip before I had the knowledge and desire to create art like I do today. Needless to say I was very eager for the trip not only to travel with great friends but also in hopes coming home with a few images for the portfolio and experiences to last a lifetime.
Although this time of year normally consists of chasing scenes with yellow, red and other similar hues that are planted in the ground, this was not that trip. In fact I came home after 9 days with over 2,300 files and no fall color in any of them. Beyond that it was likely one of my most productive trips of this length that I can recall. What I have in this post is a healthy dose from that trip yet it’s a series of folders I will dive into periodically to find more nuggets to process for years to come.
David Cobb and I touch down in Las Vegas. Grabbed the rental car and headed to eat. I am always hungry for those that don’t know me well. David tells me if we were stranded on a boat in the middle of the ocean he would throw me over before he started to look like my next meal. I can’t blame him. We scarfed down lunch sitting outside right next to the sports car race track. Damn those cars are loud in this setting. After raising our voices just to talk over lunch we get on the highway, we leave behind Vegas in search of tranquil nature scenes.
We meet up with Chip Phillips and Zack Schnepf as they were just wrapping up a couple days in Zion National Park. After a quick pit stop for supplies in St George we decided to make our way to the North Rim of the Grand Canyon. We planned to camp on the back roads outside the park yet seeing many of the backroads with head lights for the likes of hunting season, we opted for the modern day comforts of a hotel. We will camp this trip, just not here.
We head out before day break because well that is what we are here for. It’s a long haul from where we lodged to the rim but sunrise doesn’t disappoint. We stand along the edge at Cape Royal. I don’t really care how amazing the sky is or isn’t, it’s simply a great feeling to stand here. The warm light hitting the rocks and first time in over a decade to the area was a reminder why it was worth coming back to. After the sunrises we stop in a turn out along the road and eat a tailgating breakfast of champions.
After a few hours back at the hotel we cruise back to Cape Royal for sunset. This is a beautiful spot and conditions prime that evening with dappled light and showers rolling through. Complete with colorful rainbow and moody storm clouds, and of course among great friends. The light fades away into darkness; the photos will be here to keep the memories in the light.
I am thankful for this time of year with less daylight and more opportunities for zzz’s between sunset and sunrise. This morning we head to Point Imperial. We pull in to a quiet parking lot. We are the only cars here. Any noise we hear is us and a gentle breeze.
As we setup the sky and steep jagged cliffs glow every shade of red I can remember seeing in nature over the years. We tell stories, we shoot, and we laugh. We shoot some more and more laughs. You don’t want it to end. Until for some reason while I am packing up I open my wallet and realize I am missing my credit card. Doh!
I didn’t mention it earlier but we are here for the last few days the North Rim is open for the season. The droves of tourists have long departed and the visitor center’s shelves look like a department store that had long been out of business, empty. It’s the right time to be here for photography, except the warm monsoon summer season which is too warm for me.
When we get back Zack walks out from the restaurant holding my credit card in the air. Whew! I had left it at the restaurant the night before. The cars are packed and it’s time to head to the next location.
After a decent drive we make it to a location of Grand Staircase Escalante that we had hoped to get to. There were a couple water crossings that fortunately were running low for David’s new favorite vehicle in the whole world could make it through, our rental Jeep Compass. And to think it didn’t even have a compass. Huh.
We do some scouting and find a good place to put our tents down to call home for the next couple nights. All we see is openness and desert cliffs from camp. It’s a great place to park it.
The next couple days here are an all you can eat buffet of scrumptious light, flavorful skies and delicious scenes. I told you my mind can revolve around food.
This day brings more good times, good shots and good camp food. By the afternoon we see a trail of dust off in the distance slowly barreling our way. Erin has joined us for a few days of this desert adventure.
We leave Grand Staircase Escalante behind for a bit to check out another spot. The Coal Mine. With no camping nearby we find a hotel to crash at after visting the location for sunset. We cross the street for dinner. Here we learn time is an hour forward from where we stood across the street. What?! It’s hard enough that Arizona doesn’t change their clocks for daylight savings yet some reservations do recognize it while others don’t. In this case the restaurant was on the reservation land and the hotel was not. We almost missed sunrise one day having our heads flopping back in this mini time warp.
After peaceful and majestic sunrise at the Coal Mine, back at the hotel we say good-by to Chip and Zack who start their journey back to the Pacific Northwest. David and I had a few more days before heading back home via Sin City.
Erin, David and I make our way to one of many slot canyon options in Grand Staircase Escalante. The day is late and we know better than to hike miles upstream and come out in the dark. We explore enough to know it’s worth a full day.
We come back to the same canyon from the prior day. We arrive just after sunrise. Spending all day exploring, photographing and crisscrossing the water with my water logged boots. We hike out and make back to the car just after sunset. The dim light almost calling for a headlamp, I enjoy dusk and let my eyes adjust instead.
Erin needs to start her long drive back this morning. We part ways and now it’s down to David and me for the final couple days. Being in Page this day we decided to visit this little known place called Horseshoe Bend. Besides visiting The Grand Canyon during the off season with few people around, we have tried to avoid iconic landmarks. I don’t mind photographing them, and I will, yet I don’t seek out trips that I am simply trophy hunting. To me there is no fun in that. A sense of exploring places with few others around is part of the thrill of nature photography.
As you can imagine Horseshoe Bend was not a quiet spot. Mind you I have never been here and I show up in the dark before sunrise. I find what looks like a decent spot (can’t really tell) and setup more to enjoy the scene but do plan to take a photo or two. As dawn breaks on a gray day as if I brought it with me from Oregon, I hear another couple photographers pass behind me on the trail. One of them says “That guy is in my spot” and I turn to realize the only person he can be talking about is me since no one is next to me. Really!? This solidified why I am not drawn to visit the icons on a regular basis.
As I pack up David and I connect again. I realize I lost one of the feet on my Gitzo tripod. I was sure I had it on when I was photographing that morning. I have no extras this trip and thankful we are near the end and I can make do. Hiking the ~1 mile trail out about half way up I just happen to look down and I see a dark object. I bend down and pick it up. It’s a foot that fits my tripod perfectly! Whether it truly fell off my tripod or I picked up someone else’s I can’t say for certain. Either ways it worked out.
David and I start our trek back in the morning. We settle on the last night camping at Valley of Fire. We make it there in time for some brief photography before the ranger comes barreling down the road at dusk ensuring everyone is out.
Up at sunrise we head back into the prime area of the park that is closed at night. We photograph The Wave while exploring other areas until the light is harsh and photography at this point is small scenes requiring the use of my t-shirt as diffuser. It’s November and for my Pacific Northwest body is downright hot outside. How folks living down here deal with this in the summer I have no idea. I love it down here yet my body prefers cold over hot. It’s easier to layer up; you can only remove so many layers before it’s an issue in multiple ways.
We enjoy our nice little camping spot for the morning and head into the city that never sleeps. I know David as our main driver was sad to say goodbye to our gutless and compass-less Jeep Compass.
Leaving I already make plans in my head when I want to return, both for a family trip and photography. I can’t wait another decade without a decent trip down here. If you have not been and wonder why, just try reading the work of Edward Abbey or newer work from Guy Tal. There is much to ponder, dream and explore in this area to fill a lifetime.
“In my mind these experiences are a kind of retirement savings – the moments and memories I will someday recall with the same bittersweet joy and immense gratitude I felt experiencing them, and I will know that I truly lived”
– Guy Tal, More Than A Rock
“Wilderness is not a luxury but a necessity of the human spirit, and as vital to our lives as water and good bread. A civilization which destroys what little remains of the wild, the spare, the original, is cutting itself off from its origins and betraying the principle of civilization itself.”
― Edward Abbey, Desert Solitaire
Grand Teton National Park is a photographer’s dream, and one place in particular draws photographers from all over the world: Mormon Row. It’s such a distinctly American vista: the craggy, dramatic Teton range looming majestically over a symbol of settlers’ dreams and tenacity in a harsh landscape. There’s such beauty in the simplicity, in the Moulton Barns in particular; the way the warm light hits the wooden beams, some vertical, some horizontal. I’ve wondered over my years of visiting the park about the history of the area, but I never knew much besides a vague idea.
Basically, the Homestead Act of 1862, signed by President Abraham Lincoln, said that people could migrate West and set up a homestead and get 160 acres of public land to own, free. In the 1890s, Mormon settlers from Salt Lake set up homesteads in what is now called Mormon Row. They named the village Grovont, after the Gros Ventre river (which is actually named for the Indian tribe, and means “big belly” in French). All in all, there were 27 homesteads, clustered close together, unlike most Western homesteads, which tended to be quite isolated. The closeness helped the people of Grovont share work duties and community. In addition to the ranches and homes, Grovont also had a schoolhouse and a church.
The land and the climate are harsh. The soil was sandy and rocky. Winters in the area are long and brutal, and farming season is relatively short. The people of Grovont dealt with these conditions by digging a network of ditches, to supply water to the community. Water still flows in some of these ditches.
Probably the most famous structure in Grovont still standing is the John Moulton barn. Pictured above, it stands near the more modern, arguably less attractive, pink stucco house that belonged to John and Bertha Moulton. The Moultons originally lived in a log cabin on the site, but replaced it with the distinctive pink house after living there for many years. I mean, who wouldn’t want to live in a pink house in the Tetons?
Nearby, John Moulton’s brother, T.A. Moulton, set up a homestead with his wife Lucille, and built a very similar barn. This barn looks a bit newer as it took T.A. Moulton over 30 years to build.
Several other barns and structures remain in the former village, which is basically a ghost town, if you think about it.
In the early 1900s, tourism in the Jackson Hole area began to take off, particularly “dude ranches.” Wealthy Easterners wanted to travel to the Tetons and have a taste of living the adventurous cowboy life. I had no idea that dude ranches were wildly popular in the 1910s and 1920s. But as tourism took off, so did people’s concerns about development and protecting the environment. Congress created Grand Teton National Park in 1929, much smaller than it is today. John D. Rockefeller Jr. in particular wanted to preserve the natural beauty of the area and began purchasing land, eventually buying 35,000 acres, which he donated to help expand Grand Teton National Park. Many former homesteads were donated or bought by the national park, some with agreements that the homesteaders or their descendents would continue to live there until their deaths. The former village of Grovont was acquired by the park in the mid-1900s, and was added to the National Register of Historic Places in 1997.
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In my opinion, photography is one of the most fun, healthy, enriching, energizing and positive pastimes a person can be involved in. It is a creative outlet and it also provides an ongoing source of learning and intellectual stimulation. It gets you outside and provides a pathway for greater appreciation of nature. It is accessible to people of all ages, interests, experience and ability. It teaches you to slow down and really notice the world around you. One of the greatest joys photography has brought me is the social aspect of it. While photography can certainly be private, introspective and deeply personal, it also offers wonderful opportunities to connect with other human beings. Many of my best friends and colleagues are people I met through photography and some of my most gratifying conversations, collaborations, adventures, and experiences are the result of hanging out with people who share my passion for photography. I have had the pleasure of meeting and communicating with photographers from all over the world, I have been a student and a teacher and I have been fortunate to travel with friends and lead workshops to all corners of the globe.
Perhaps my favorite social photography experiences is the “road trip”. I love the adventure and freedom of being out on the road; sleeping in a different place every night, seeing new sights and being able to simplify, focus and relax. Sharing the road trip experience with others only enhances it. I’ve enjoyed road tripping since college, although back then my road trips were rock climbing trips and the real adventure was finding out if my $600 car would break down in the middle of nowhere. My first photography dedicated road trip was in 2004. It was a solo trip and it left me with some great memories. But what was missing was the laughter, the collaboration, the camaraderie and the synergy. The conversation certainly left something to be desired as well. And now I find I miss being able to reminisce with someone about that trip.
Since then I have been on at least a couple photo road trips each year, some of them solo, but most of them with friends, colleagues, and clients. Most recently I went tripping with two of my best friends and Photo Cascadia teammates, Zack Schnepf and David Cobb. All of these photos are from that trip. I have traveled with each of these swarthy gents many times and we have THE best time together. For this trip we had planned to search out winter conditions in the Tetons or the Canadian Rockies, but the day before we left the weather forecast indicated low cloud cover for days to come in those locales, so we redirected our plan to California just hours before departure. With the Millenium Falcon filled to the gills with camera gear, tripods, duffel bags, sleeping bags, snowshoes and plenty of tortillas and refried beans, we hit Interstate 5 south with the Louis CK Pandora station playing and scarcely a clue where we were going. The next seven days on the road took us to Yosemite National Park, where thousands were photographing the famous Horsetail Falls “firefall” but we opted to shoot in solitude along the Merced River instead, then to Joshua Tree in the rain, a couple of days in Death Valley and finally up the east side of the Sierra Nevada along the Owens River Valley.
Along the way and per usual we told bad jokes, ate junk food at truck stops, listened to audio books, solved the world’s problems and held snoring competitions sleeping in the Falcon’s tight quarters. The photography conditions were good but not great, but what we lacked in light we compensated for by regaling each other with tall tales of epic photo sessions of the past. We did manage to bring home a few passable images as well. At the end of the trip, I scraped together the images and video we had taken with our phones, added in some aerial footage I took while learning to fly my new drone, and put it together into the short behind the scenes video you’ll find at the beginning of this article. I think the video will give you a fun view into the spirit of this trip. I hope you enjoy it.
We all photograph for different goals, reasons and rewards. We aren’t all cut out to be social photographers, at least not all the time. But if you do enjoy photo tripping with others consider contributing a thought, an experience, a road trip tip or a favorite route in the comments below. If you haven’t road tripped but want to and are just lacking companions, I would suggest joining your local photography club, becoming active in online photography communities such as Flickr or Facebook groups or signing up for photography workshops or photography tours.
Sean is a full-time photographer and photography educator. You can see more of his images and find out about his video tutorial courses and upcoming workshops, tours and classes on his website at www.OutdoorExposurePhoto.com.
Abraham Lake is an artificial lake found in the Canadian Rockies. It can be reached by taking the David Thompson Highway off the Icefields Parkway and driving North for around 20 minutes. On the right, you will see a pullout parking lot called Preachers Point. This pullout is a great place to access the lake. From here, you can easily walk down to the lake. Once on the lake, there are many opportunities to photograph within a short distance of your car.
Over the past few years, I have had the chance to visit Abraham Lake in different seasons. By far my favorite season is winter because of the unique conditions that occur due to the colder temperatures. It can reach as low as -30 in the Abraham Lake area. These frigid temperatures create conditions to develop on the lake that is one of the most unusual natural phenomena of the world. The decomposing plants on the lake bed release methane gas which freezes as it gets closer to the much colder surface causing “Frozen Bubbles.” As the temperature drops the bubbles start to stack below each other forming a pretty incredible and unique sight.
Photographers from all over the world come to Abraham Lake to capture this unique occurrence. I’ve written this article to list some of my most essential tips for successful images when photographing Abraham Lake.
- Abraham Lake is often very windy and cold. Due to its geographic location, the wind channels through the valley. Winter temperatures can be extremely frigid with the windchill. Prepare to bring more clothes than normal to stay warm. Bring a balaclava or facemask to keep your face warm. Bring fingerless gloves so you can operate your camera while keeping your gloves on. I combined fingerless gloves with a second layer of gloves that are known as touchscreen gloves. I have included a link below for what I believe to be the best on the market.
- Give yourself lots of time to find compositions that will interest your viewer. The first comment that most people say to me on a workshop is how overwhelming it can be when you first see the lake. Due to its size and vastness, there can be many choices to photograph, which may seem at first very daunting. I arrive several hours early to explore several different compositions. I research ahead of time some of the images that appeal to me. I then work up a theory and pre-visualize the story I would like to translate through my image.
- Bring several camera batteries with you as the colder temperatures shorten how long a battery will work. It is not unusual to go through two or three batteries in one hour when photographing during the winter on Abraham Lake. It is helpful when trying to conserve battery life to keep a couple of spare batteries in a jacket. Finding a way to storing the extra batteries continually in a warm place will go a long way to extending the battery life while photographing.
- Related to the previous tip, bring hand warmers and feet warmers. I can’t stress the importance of using some accessory to keep warm. It can make the difference between a pleasurable time and a challenging one. With the combination of a good warm winter boot and gloves, you are ready for any conditions on the lake.
- Bring a good heavy duty tripod. Having a good sturdy tripod will help immensely in keeping your tripod from slipping on the ice. Place the tripod low to the ground to avoid vibrations from the windy conditions. As mentioned before, winds can get very active on the lake. It does not take much to make your tripod shake. The wind and camera shake will cause your image to go soft and blurry.
- In windy conditions, raise the ISO of the camera to 800 or even 1600. The faster shutter speed will help prevent camera shake and blurry images.
- Don’t be afraid to try several different types of compositions as you continue to look for ways to piece together elements within a scene. I will often try to keep the camera low to the ground at roughly a 45° angle. As I continue to try different compositions throughout my scouting, I develop a story of how I want to approach the final image.
- Bring a very wide-angle lens with you to capture the bubbles and enhance the size of the textures that are nearest to the camera. When using a wide-angle lens on the lake and photographing very close to the bubbles within the ice, the wide angle lens will accentuate elements that are near the lens and make objects in the distance appear smaller. The placement of the lens and camera near to the ground gives the image the appearance of three-dimensional depth throughout the scene.
- Have a microfiber lens cloth close at hand to keep the lens as clean as possible. Watch for any condensation that might build up on the front of the lens in colder conditions. Also, avoid changing lenses on the lake when winter conditions are present.
- It’s a good idea to bring a medium telephoto to photograph some of the distant mountain peaks in closer detail. The look of the longer lens will offer a different look than the wide-angle images that are often seen at Abraham Lake. I like to try different lenses at Abraham Lake to give the viewer several different looks. Also, don’t be afraid to bring a macro lens to photograph the unique textures of the bubbles found just underneath the ice.
- When exposing for the scene, I will often exposure bracket my images depending on the tonal range. In extreme conditions, I have bracketed my images all the way from three images to nine images for one scene. The highlights of the ice can be very bright as well as the snowcapped peaks. It is essential to capture several exposures of negative value to avoid blowing out the highlights. I will then use post processing methods to combine these images into one image with all tonal values combined.
- It is critical in winter to bring an apparatus that can be placed on the bottom of the boot. It can be any accessory such as spikes, crampons, or any other device that provides traction on the ice. Abraham Lake is very slippery and can cause serious damage if you try to maneuver without some sort of traction on your boot. I like to use spikes that I wrap around the bottom of my snow boot which allows me to walk comfortably and safely on the ice.
- Dress in layers, as you will find yourself quickly heating up while actively walking around looking for compositions but losing heat quickly once stationary in one spot. I use several layers of winter clothing that can easily be taken on or off depending on my activity at the time. For example, while actively searching for compositions I will expend energy and thus create sweat while walking around on the ice. Once I find something regarding composition I’m happy with, I might be stationary for time periods of several minutes or more. Having access to changing or removing clothing is critical to keeping at a comfortable temperature while photographing on the lake.
- Don’t be afraid to lie on the ice and try creative framing and pairing of elements. I often will find myself trying to explore new possibilities when composing images on Abraham Lake. Don’t hesitate to try new things, and photograph the lake in new creative ways. For example, I tried placing my camera on remote focusing at infinity and putting it on a timer or a remote to capture an image from inside the ice shelves to create the look of ice caves.
- Make sure to photograph during the twilight hours before sunrise and after sunset to expand the variety of images you capture. Shooting during the twilight hours will give many different moods to the overall look of the lake.
- Make sure on your LCD monitor to frequently check the detail of each image. I will often go in at 100% on the back of the camera to check that all elements are sharp and focused. Because of the wind, movement of the tripod can occur in small increments but enough to cause the image to move. Without going in all the way on the back of your camera LCD, it is hard to see whether it is sharp all the way through the image
- Use caution when exploring on the lake. The lake can be several layers thick with ice, use common sense if areas that appear to look less safe. For example, during warmer periods, melting and instability can occur.
- Bring snacks and meals with you in your bag. There is nothing very close to the lake regarding food. You will find your body, needs the extra carbs from the colder conditions. Having a snack in your bag that is easy to grab will help keep your body energized and prevent you from wasting time going back to your vehicle.
- Give yourself several days including sunrises and sunsets to maximize your opportunity of capturing several different images. Capture the lake in as many different settings as possible. One option is to rent a camper or RV so that you can be situated next to the lake. The other alternative is to look into accommodation near the lake.
- Try to remember to have fun and take the time to enjoy the experience.
Lucky number seven in 2016 for Photo Cascadia. Seven for the first full year with seven team members and seven for the number of years Photo Cascadia has been around. Speaking of luck it was honestly mostly luck in the beginning that this specific team of photographers formed, have become good friends and enjoy sharing experiences and knowledge with all of you for as long as we have. During this time we have seen similar groups form and fold. We hope this seven year stretch is only the beginning of our journey as you join us along for the ride. In the end it’s you, the readers, that continue to provide energy for what we do at Photo Cascadia. For this we are extremely grateful and thankful… thank you!
Where did 2016 take you for adventure and photography? I am sure it was similar to many on the Photo Cascadia team where we spent time in our own backyards, crossing state lines as well as some continent hopping. If you have been watching our blog for more than a year now you will know that mid December is when Photo Cascadia takes a break from our weekly posting until mid January. It’s our time to step back and reflect on the year that has past while winding down with family and friends.
As we reflect on things it’s a good time to remember that all the places we get to visit should be available for those that come after us. It seems 2016 we unfortunately saw a rise, at least in the media if not reality, around people doing permanent damage to places we all want to enjoy and photograph as well as companies and political forces looking to seize locations set aside for long term preservation. Now days, perhaps more than ever, we all need breaks into nature whether some of us realize it or not as the number of us living in a concrete jungle grows. With that I leave you with one of my favorite quotes.
“May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view. May your mountains rise into and above the clouds.” – Edward Abbey
We take this time to provide a year end visual show of where we have traveled with some behind the scenes clips. Take a four minute break and check it out.
May your year close out with many lasting memories and the new year start with a trail full of endless possibilities.