Archive for the ‘Video’ Category

Northland: Photo Adventures In Arctic Norway Part II

Friday, August 4th, 2017

In May I went on an incredible journey with my Camera and my friend Paul to the north of Norway. We explored the Lofoten Island Chain and Senja Island. In June I shared a trip report and images here on the Photo Cascadia blog. Since then I have completed some more images and a short behind the scenes movie of our adventure.

All the video for the movie was captured with my iPhone or with the DJI Mavic Pro drone that I brought with me. I was just mentioning the other day that the Mavic Pro is currently the only drone that has the control and camera quality that I’m looking for, combined with being small enough to fit in my camera bag with the rest of my gear. I’m learning that video, particularly drone footage, provides a welcome added layer to my photographic story telling. Still images have to convey a feeling or concept in a single frame, so light, composition, timing and developing really come into play. Video, on the other hand, does a great job of bringing you along for the ride, sharing the story of the lifestyle and experience behind the photos. The drone takes it up a level (litterally) by providing perspective, motion and views that can’t be captured any other way. The downside of the drone is that it is, at the least, distracting and more commonly simply annoying and unsettling to others. It is important to me to not impose that on others, so I try to fly only when there are no people around. Fortunately, in Norway, we were photographing during the night and we rarely saw other people.

So, please enjoy Northland: Photographing Arctic Norway.

Thanks for watching! If you would like to learn more about the trip, make sure to check out my initial trip report as well.

Sean is a full-time photographer and photography educator. You can see more of his images and find out about his video tutorial courses and upcoming workshops, tours and classes on his website at www.OutdoorExposurePhoto.com.

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Social Photography: Road Tripping With Friends

Wednesday, March 22nd, 2017

(If you are reading this article via email subscription, make sure to click the title link to view the video on the blog)


In my opinion, photography is one of the most fun, healthy, enriching, energizing and positive pastimes a person can be involved in. It is a creative outlet and it also provides an ongoing source of learning and intellectual stimulation. It gets you outside and provides a pathway for greater appreciation of nature. It is accessible to people of all ages, interests, experience and ability. It teaches you to slow down and really notice the world around you. One of the greatest joys photography has brought me is the social aspect of it. While photography can certainly be private, introspective and deeply personal, it also offers wonderful opportunities to connect with other human beings. Many of my best friends and colleagues are people I met through photography and some of my most gratifying conversations, collaborations, adventures, and experiences are the result of hanging out with people who share my passion for photography. I have had the pleasure of meeting and communicating with photographers from all over the world, I have been a student and a teacher and I have been fortunate to travel with friends and lead workshops to all corners of the globe.

Frosty Yosemite Falls towers above the dark valley below.

Frosty Yosemite Falls towers above the dark valley below.

Back lit mist below Bridalveil Falls, Yosemite.

Backlit mist below Bridalveil Falls, Yosemite.

Perhaps my favorite social photography experiences is the “road trip”. I love the adventure and freedom of being out on the road; sleeping in a different place every night, seeing new sights and being able to simplify, focus and relax. Sharing the road trip experience with others only enhances it. I’ve enjoyed road tripping since college, although back then my road trips were rock climbing trips and the real adventure was finding out if my $600 car would break down in the middle of nowhere. My first photography dedicated road trip was in 2004. It was a solo trip and it left me with some great memories. But what was missing was the laughter, the collaboration, the camaraderie and the synergy.  The conversation certainly left something to be desired as well. And now I find I miss being able to reminisce with someone about that trip.

Abstract dune shapes at sunrise, Death Valley.

Abstract dune shapes at sunrise, Death Valley.

Alpen glow on the hills of Death Valley.

Alpenglow on the hills of Death Valley.

Since then I have been on at least a couple photo road trips each year, some of them solo, but most of them with friends, colleagues, and clients. Most recently I went tripping with two of my best friends and Photo Cascadia teammates, Zack Schnepf and David Cobb. All of these photos are from that trip. I have traveled with each of these swarthy gents many times and we have THE best time together. For this trip we had planned to search out winter conditions in the Tetons or the Canadian Rockies, but the day before we left the weather forecast indicated low cloud cover for days to come in those locales, so we redirected our plan to California just hours before departure. With the Millenium Falcon filled to the gills with camera gear, tripods, duffel bags, sleeping bags, snowshoes and plenty of tortillas and refried beans, we hit Interstate 5 south with the Louis CK Pandora station playing and scarcely a clue where we were going. The next seven days on the road took us to Yosemite National Park, where thousands were photographing the famous Horsetail Falls “firefall” but we opted to shoot in solitude along the Merced River instead, then to Joshua Tree in the rain, a couple of days in Death Valley and finally up the east side of the Sierra Nevada along the Owens River Valley.

"Tangerine Dream" - Twilight at Badwater, Death Valley.

“Tangerine Dream” – Twilight at Badwater, Death Valley.

"Red Racer" -Light painting Sailing Stones on the Racetrack under the stars. Death Valley.

“Red Racer” -Light painting Sailing Stones on the Racetrack under the stars. Death Valley.

Along the way and per usual we told bad jokes, ate junk food at truck stops, listened to audio books, solved the world’s problems and held snoring competitions sleeping in the Falcon’s tight quarters. The photography conditions were good but not great, but what we lacked in light we compensated for by regaling each other with tall tales of epic photo sessions of the past. We did manage to bring home a few passable images as well. At the end of the trip, I scraped together the images and video we had taken with our phones, added in some aerial footage I took while learning to fly my new drone, and put it together into the short behind the scenes video you’ll find at the beginning of this article. I think the video will give you a fun view into the spirit of this trip.  I hope you enjoy it.

We all photograph for different goals, reasons and rewards. We aren’t all cut out to be social photographers, at least not all the time. But if you do enjoy photo tripping with others consider contributing a thought, an experience, a road trip tip or a favorite route in the comments below. If you haven’t road tripped but want to and are just lacking companions, I would suggest joining your local photography club, becoming active in online photography communities such as Flickr or Facebook groups or signing up for photography workshops or photography tours.

"Sierra Sunset" - Last light on the Owens River.

“Sierra Sunset” – Last light on the Owens River.

Sean is a full-time photographer and photography educator. You can see more of his images and find out about his video tutorial courses and upcoming workshops, tours and classes on his website at www.OutdoorExposurePhoto.com.

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How To Customize Your Photoshop Workspace by Sean Bagshaw

Monday, November 7th, 2016

In the video tutorial below (email subscribers can click the title link to view the video on the web) I take you through a feature of Photoshop that is super helpful and pretty simple, but also something that can be a little confusing for a lot of people…customizing your Photoshop workspace.

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Photoshop is a massive application with powerful tools aimed at different types of uses…photography, digital painting, graphic design, 3D modeling and website development just to name a few. It arranges similar tools, functions and features into panels. You can also add custom panels to Photoshop, such as Tony Kuyper’s TKActions and Infinity Mask panels. Very few of us ever make regular use of every single Photoshop panel. In addition, we all have different workflow preferences and screen space limitations. The ability to create one or more custom workspaces in Photoshop enables you to personalize and evolve your space to best fit how you work and establish optimal efficiency and creative flow.

I hope you find this tutorial helpful. Please post in questions in the comments section and please share any of your own Photoshop workspace tricks and tips.

Sean is a full time photographer and photography educator. You can see more of his images and find out about his video tutorial courses and upcoming workshops, tours and classes on his website at www.OutdoorExposurePhoto.com.

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Accessing Large Document PSB Files In Lightroom And Bridge

Monday, September 19th, 2016
First light on the Smoking Mountain, Fitz Roy.

First light on the Smoking Mountain, Fitz Roy.

The video tutorial below shows how to save image files that exceed the TIFF file size limit as PSB files and also how to access them in Lightroom and Bridge. This is a challenge that is becoming more common as digital camera resolution increases and as stitching multiple images to make super high resolution photos becomes more popular. I hope you find it helpful. If you have any questions or tips for working with large image files that you have found helpful make sure to share them in the comments section below.

As digital camera resolution continues to increase, with 30 to 50 MP cameras becoming the norm, and as photographers employ more advanced PS techniques with lots of layers, smart objects and luminosity masks, it is common to bump up against image file size limitations. PSD files have a maximum file size limit of 2GB. TIFF files have a 4GB size limit. Unfortunately Photoshop doesn’t do a good job of predicting final saved file size when there are a lot of layers, masks and smart objects involved. So even when the file size indicator shows a file size of less than 4GB you will often get an error message when trying to save. I find that many of my images indicate a file size of less than 3GB but actually exceed the 4GB size limit.

I frequently get questions from photographers wondering what to do when their images exceed the size limit. When an image exceeds the 4GB tiff limit the solution is to save it as a PSB file, where “B” stands for big. PSB files have a size limit of 4 exabytes! I had never heard of an exabyte before, but apparently it is a million terabytes, so the PSB format should do the trick for just about any image considering that my computer only has a measly 8 terabytes of hard drive space anyway.

PSB files are a the solution, but they don’t come without their own issues. You can see them in Bridge, but they don’t generate a thumbnail, so you can’t tell what the image is just by looking at it.

If you are a Lightroom user then you currently can’t even import PSB files into your Lightroom catalog at all. This is a problem for me because I do use LR extensively for cataloging and locating my images. If I don’t see an image in LR I quickly forget it even exists. It also means that I can’t include the image in Lightroom slide shows, collections or print it from Lightroom. Even if I do remember that I have a particular PSB image it is a hassle trying to hunt down where it is so I can open it in PS. It would really be nice if Adobe would add PSB support to Lightroom, but I’m not the first person to say this and so far they haven’t.

Until then, here is a solution that will enable you to see PSB images in Lightroom and Bridge. It’s less than perfect, but better than nothing. I’ll also mention that I didn’t figure this out. As with most of what I know about photography, I learned it through the kindness of others who are smarter than I am and I’m just paying the knowledge forward. Check out the video to see how to save PSB files and how to access them in Lightroom.

 

Sean is a full time photographer and photography educator. You can see more of his images and find out about his video tutorial courses and upcoming workshops, tours and classes on his website at www.OutdoorExposurePhoto.com.

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Using The New Select and Mask Feature in Photoshop CC 2015.5

Tuesday, August 2nd, 2016

Cuernos-del-Torre

I have to say that getting regular Photoshop updates and new features through my Creative Cloud subscription has been great. In the most recent update to CC Adobe gave the Refine Selection/Refine Mask features a big overhaul and combined them into a single new task space called Select and Mask. This new task space makes it even easier to create selections and refine them so your masks can be even more precise and will target adjustments just how you intend. It seems that the edge detection ability in this new feature has also been improved over the old Refine tool, making even better selections of very fine details, such as grass, hair and tree branches.

In this video tutorial I demonstrate how to use the new Select and Mask feature and also show how it can be used in conjunction with the TKActions V4 panel, even though this feature didn’t exist when the panel came out.

Sean is a full time photographer and photography educator. You can see more of his images and find out about his video tutorial courses and upcoming workshops, tours and classes on his website at www.OutdoorExposurePhoto.com.

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Photoshop for Landscape Photographers

Tuesday, March 15th, 2016

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I just finished the second edition of my video series, originally titled “Image Editing Volume 1”.  Now called Photoshop for Landscape Photographers ,this series of 10 videos has been completely redone from the ground up, with up-to-date software, new images, and current techniques. I have tried to keep all of the original content and have added new stuff as well.

Some highlights include:

-All tutorials have been completely redone with all new images, up-to-date software, including Tony Kuyper’s new Tkv4 Panel, and current techniques.
-1920×1080 HD Video, 3hrs and 50min. of content.
-A new video titled “Workspace Settings” is included, discussing the ideal settings for Lightroom, Camera Raw, and Photoshop.
-Along with content from the first volume, I demonstrate my most commonly used blending modes in my new “Layers” video. My new “Layer Masks” video incorporates the use of these blending modes, along with current techniques for applying adjustments to images using layers and masks.
-In my new “Luminosity Masks” video, along with original content, I demonstrate how to create and use 16-bit luminosity masks, and demonstrate the ease of using Tony Kuyper’s new Tkv4 Panel for creating and using these powerful luminosity masks.
-My new “Multiple Exposure Blending For Dynamic Range” video includes in-the-field footage of me on location in the Palouse where I demonstrate my technique for capturing multiple exposures for blending in Photoshop.  In this video I demonstrate three different blending techniques on three different images.
-In my new video, “Multiple Exposure Blending for Depth of Field”, I demonstrate my current technique for focus stacking on two different images, and include a portion on cleaning up if things go a bit haywire.
-In my new “Micro Contrast” video, along with original techniques, I include the use of the Camera Raw filter, and Tony Kuyper’s awesome new Tonal Clarity actions.
-Along with my favorite “Orton” effect technique, I include a new technique for light painting in my new “Enhancing the Light” video.
-In my new “Color” video, I include all of the current tools that I use for color adjustments, and demonstrate the use of luminosity masks for color adjustments. I also include a segment on my technique for color painting.
-My new “Sharpening” video includes current sharpening techniques used for web and print. I also demonstrate the ease of using Tony Kuyper’s all new Web Sharpening action.

For a complete list of content and to watch an introduction video, visit the Instructional Videos page on my website.

Thanks for the support!

Make One Photoshop Action That Will Place A Watermark On Any Size Image

Monday, March 7th, 2016

Mt.-Ashland

I enjoy getting photography and developing questions from people. When certain questions come up often enough I realize the topic might warrant a video tutorial of its own. Such is the case with how to place watermarks on images in Photoshop. Many of us who share our images on the web or by email like to place an identifying watermark on them, like the one on my image above. While it doesn’t guarantee images won’t be used without our permission, at least it lets others know that they do belong to someone and who that person is. Some well known photographer’s watermarks even become as recognizable as their images and names.

Adding some text or a logo to an image in Photoshop is easy enough to learn, but it requires multiple steps. If done manually on a regular basis adding watermarks can become time consuming and tedious. It is also difficult to keep the watermark consistent each time. Adding watermarks to web images is a perfect repetitive job for a Photoshop action. However, creating a single action that can successfully and proportionally place a logo or text on an image of any size or orientation isn’t as obvious as it might seem. I know this from the frequent questions I get. In this video I demonstrate how to record a single action that accomplishes the task. It takes a few minutes to record the action, but you will get that time back after just a couple uses.

In this second video I show TKActions Panel users how to assign the watermark action to one of the customizable buttons in the panel. This makes it super efficient to size and sharpen an image for the web using the panel and then place your custom watermark on it with just one more button click.

It took me many years of inefficient watermarking before someone showed me how to create a single watermarking action that works on all images. I hope you find this information helpful and are able to put it to good use. Let me know in the comments if you have questions or any of your own tips or tricks to add.

Tonality Control 2.0 Instructional Video

Wednesday, March 2nd, 2016

by Zack Schnepf

In case you may have missed my other announcements.  I recently completed my latest post processing instructional video Tonality Control 2.0. In the video I guide you through my most current multiple exposure workflow.  I demonstrate how I use the powerful tools in Lightroom, and Photoshop along with the TKAction Panel V4. The level of control you can have with these tools is pretty incredible. These techniques are quite advanced, but yield incredible results that are not possible with HDR software. In the video I’ll show you how I take the 3 raw exposures below from pre-visualization to fully realized master file.

3 original raw exposures

3 original raw exposures

Final Image

Finished Master File

Here are the techniques covered in Tonality Control 2.0: Raw preparation in Lightroom, multiple exposure blending, advanced masking, luminosity selections, refined selections, advanced selection building, color range selections, tonality adjustment layers, color adjustment layers, color cloning, sharpening for print, web preparation and more.

Included material: 25 chapters, covering 4 hours of instruction.  
I’ve also included the raw files used for the project image you see above. This way you can follow along with the same files I’m using in the video. These files are for practice only, they may not be reproduced or sold in any form. You can download the table contents here: Table of Contents

The TKActions V4 Panel is a custom panel developed by Tony Kuyper that works in Photoshop CS6 and CC 2014/2015. This video relies on it heavily, it is not required, but highly recommended. The TKActions V4 Panel displays like other panels in Photoshop and makes it easy to play many different actions with the click of a button. While originally developed to simplify working with luminosity masks, it’s continued to expand with additional features and functions. This video does not come with the panel, but again, I highly recommend it. It is an integral part of my workflow now. You can learn more and purchase the panel on Tony’s site here:  http://www.goodlight.us/writing/actionspanelv4/panelv4.html

Recommended: This video is not intended for Photoshop beginners. You will need to be familiar with the basic tools in Photoshop as well as masks, adjustment layers and basic selections. All of the processing is done within Photoshop and Lightroom as well as the TKActions V4 Panel within Photoshop. This video is not compatible with Photoshop Elements.

Viewing on tablets and iPads: Using a tablet to watch the videos while you follow along is a great way to use the videos. Unfortunately, Apple makes it difficult to transfer video files onto their mobile devices. I made a short tutorial video using the VLC app in iTunes to transfer and play my instructional videos on iPad. You can see the tutorial here: https://www.youtube.com/watch?v=moUHUeHqqS8

I have 2 videos on youtube to help you get a preview.
Tonality Control 2.0 Intro:

Excerpt from chapter 19:

If you would like to learn more, or purchase the video please visit my site: www.zschnepf.com

Video Tutorial: Adding Shadow Detail in Photoshop

Tuesday, January 26th, 2016

Here is a quick little video on some tips for adding shadow detail to your images in Photoshop.

For more image editing videos, check out the videos page on my website.  Enjoy!

 

Wildflower Gardern Sunset Mount Rainier copy

Photo Cascadia – Best of 2015

Sunday, December 20th, 2015

Yet again another year has flown by which brings time to look back on the past and what might lie ahead for the new year. Going strong for six years with no signs of letting up on the gas. We grew by a whopping 16.6% with Erin Babnik joining our crew. We continue united with our mission “learn, explore, create” as we intended from the beginning. Just like a rock concert I was at last week when the band said they would not be where they are without their fans, a similar statement could be said for all of you. A sincere Thank you to all of our subscribers and viewers to the newsletter, blog, social media and any other rock you lifted up to find us!

It’s always a good time looking back at the photos each of us from Photo Cascadia captured over the last year. Wherever the road took you in 2015 for your photography we hope you enjoy looking back at what it means to you while giving a chance to reflect on what life is all about and what matters most. Photographing what mother nature has to offer reminds us that we learn as much or more from simply being out and about than anything we could read or watch online. This quote says it best.

“Earth and sky, woods and fields, lakes and rivers, the mountain and the sea, are excellent schoolmasters, and teach some of us more than we can ever learn from books.”
– John Lubbock

As we wrap up the year and take a few weeks off from the blog we invite you to take a few minutes to view a few of our favorites from the team this past year. Slideshow is best viewed in HD. Happy Holidays and New Year!