Photo Cascadia Blog
Posts Tagged ‘Flower Photography’
Using a Telephoto Lens to Compress Garden Scenes
Since gardens are beginning to blossom again after a long winter, I’m returning to the garden setting for this tip.
A telephoto lens is essential in garden photography for picking out pieces of a distant landscape or for macro work, and I often use one in conjunction with extension tubes or close-up filters. For landscape photography I use a zoom to pick out the garden details or to create a layering effect. On foggy days, I often look for how trees stack up with one another and how they lose detail as they recede into the mist; the layering on these days works exceptionally well.
When I spotted this field of poppies growing in the Willamette Valley of Oregon, I wanted to recreate the feeling I had of seeing such a multitude of flowers in one place. To do this, I chose a telephoto lens and crouched down a bit lower to overlap all the poppies. By using a zoom and compressing the scene, I was able to capture the feeling I had of seeing so many poppies in one place.
For this image of wallflowers in the Willamette Valley of Oregon, I used a telephoto lens to compress the scene for the multitude of flowers and also to keep the size of the tree large on the distant ridge. If I had used a wider-angle lens, the distant tree would only be a small pimple on the ridge face. A telephoto lens creates more drama in the scene.
While I was visiting Beacon Hill Park in Victoria, Canada I used my Canon 70-200mm telephoto lens to help frame the wonderfully lit tree with the yellow blossoms of the surrounding shrubs. The compression also created a layering effect for this image and compositionally a frame-within-a-frame which creates depth.
If you like this garden photography tip, I offer 99 more in my e-book “100 Tips to Improve Your Flower and Garden Photography.”
Look for my next garden book Visionary Landscapes due out this September on Tuttle Publishing.
The spring wildflowers have started to pop in the Columbia River Gorge of Oregon, so I thought I’d take the time to explore a technique I often use for photographing spring wildflowers called “shoot-through” or “cramming.” I had used this technique for a number of years before I learned macro photographer Michael Brown coined the phrase “cram-it.” It’s fun, and it takes a bit of practice, so if you’re willing to give it a try here’s how to do it.
I often use a telephoto for this procedure, and employ this method when I want to eliminate distracting elements or when I want a wash of color throughout my image. I use a fairly wide-open aperture setting and find f2.8–f5.6 works best. I place my lens against a number of blossoms while selective focusing on a background flower. The front images are blurred and help obscure a number of distractions like twigs or branches. They also create a more ‘painterly’ feel to the photograph.
I loved the color of these tulips on top of a rock, but couldn’t photograph them without including distracting parts of a nearby house. My solution was to lay my lens right in front of a bundle of red and orange flowers and then “shoot through” them. This added a nice wash of color across the stems, and also eliminated the distracting staircase and window of the house.
In a recent photo of water lilies taken on the Big Island of Hawaii, I was going for more of a Monet feel for the image. For this shot I used my Canon 70-200 telephoto lens, my Kenko Pro 1.4x teleconverter, and my Canon 500D close-up filter. I placed my lens right in front of a clump of grass and “shot through” it. The shallow depth-of-field gave me the softness I liked, but “cramming” with the grass lends an even softer look and captured the Monet feel I was after.
I’ve posted a couple of other examples of this technique below. You can find this tip and 99 others contained in my e-book 100 Tips to Improve Your Flower and Garden Photography.