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Set The Right Contrast and Color Balance With A Single Adjustment – By Sean Bagshaw

Set The Right Contrast and Color Balance With A Single Adjustment – By Sean Bagshaw

by Sean Bagshaw | Jan 27, 2012 | Image Processing | 4 comments

Setting the right contrast and color balance in an image is an essential part of any digital image developing workflow. The correct contrast and color balance should be established as early in your developing workflow as possible. Contrast and color problems that are...
Photographing The Night Sky by Sean Bagshaw

Photographing The Night Sky by Sean Bagshaw

by Sean Bagshaw | Oct 8, 2011 | Night Photography, Photography Techniques | 19 comments

Night photography certainly isn’t new, as David Cobb pointed out in his article on long exposure night photography. There have always been diehards willing wait hours to expose a single image for chance to reveal the magic light that only cameras can see at...
Sizing Images For Output Made Easy (OK…Easier) by Sean Bagshaw

Sizing Images For Output Made Easy (OK…Easier) by Sean Bagshaw

by Sean Bagshaw | Sep 15, 2011 | Image Processing | 13 comments

Sizing digital images for output may be one of the most difficult to grasp concepts in digital photography. Even after more than a decade of moderately hardcore Photoshop use I still find new ways to confound myself in this area. This topic is steeped in...
Gear Review: F-Stop Guru Camera Pack By Sean Bagshaw

Gear Review: F-Stop Guru Camera Pack By Sean Bagshaw

by Sean Bagshaw | Aug 6, 2011 | Gear Review | 3 comments

For the past couple of months I have been putting my new F-Stop Gear camera pack, the Guru, to the test and I’d like to share what I think about it with Photo Cascadia readers. To fully disclose, as a member of Photo Cascadia I am part of F-Stop Gear’s...
Searching For What Is Not Literally There by Sean Bagshaw

Searching For What Is Not Literally There by Sean Bagshaw

by Sean Bagshaw | Jul 14, 2011 | Philosophy, Photography Techniques | 24 comments

“When I’m ready to make a photograph, I think I quite obviously see in my mind’s eye something that is not literally there. I’m interested in something which is built up from within, rather than just extracted from without.” – Ansel Adams One...
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