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Photographing the Klamath Basin by David Cobb

Photographing the Klamath Basin by David Cobb

by David Cobb | Mar 25, 2013 | Fall Color Photography, Locations, Photo Travel | 5 comments

Photographing the Klamath Basin By David Cobb   One of the West’s great photographic treats is visiting the Klamath Basin on the Oregon and California border during the fall or spring bird migration. I’m not a birder, but the site of so much wildlife surrounded by a...
Non Destructive Dodging And Burning In Photoshop by Sean Bagshaw

Non Destructive Dodging And Burning In Photoshop by Sean Bagshaw

by Sean Bagshaw | Nov 12, 2012 | Image Processing, Video Tutorial | 24 comments

Dodging and Burning (selectively lightening and darkening areas of an image) are terms that have been passed down from the darkroom. Dodging and Burning can be used to create better tonal balance, enhance drama, increase dimension or guide the viewer’s...
Great Books For Night Photographers by Sean Bagshaw

Great Books For Night Photographers by Sean Bagshaw

by Sean Bagshaw | Aug 27, 2012 | Book Review, Night Photography, Photography Techniques | 7 comments

I often think that the night is more alive and more richly colored than the day. Vincent Van Gogh While night photography presents certain challenges, photography is all about capturing light. Even the darkest night is not completely dark. I find that the light at...
Mysterious Salmon Light by Sean Bagshaw

Mysterious Salmon Light by Sean Bagshaw

by Sean Bagshaw | Apr 23, 2012 | Locations, Photo Travel, Photography Techniques | 12 comments

In October of 2011 Zack Schnepf and I took a very productive and enjoyable excursion to White Pocket, in the Vermilion Cliffs National Monument of northern Arizona. White Pocket rock formations have a unique strangeness and visual intrigue, like a place not of this...
Add Some Edge Definition And Structure by Sean Bagshaw

Add Some Edge Definition And Structure by Sean Bagshaw

by Sean Bagshaw | Mar 6, 2012 | Image Processing | 16 comments

Maintaining or introducing edge definition and general structure in an image is something that I often find myself challenged with. Sometimes I need to overcome flat light, back lighting or simply the lack of definition inherent in many raw images. Other times it is...
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