One of the presents for my birthday this year my wife and girls got me was a great hardback book by Ed Cooper “Soul of the Heights – 50 years Going to the Mountains”. If you have a love for being in the great outdoors especially in the Pacific Northwest and don’t know who Ed Cooper is, it’s worth your time to check out his work and stories. This is only one of several books he has. I am sure the others are a feast to read and view as well.
Ed does a superb job taking the reader through a journey of what it was like being one of the early climbers in Pacific Northwest, pioneering many routes. What drew me to his work before I even got the book is a photo of his I happen to see online taken decades ago. Growing up in Oregon on large property with forest and creek I have almost always preferred to spend my time outside. Although I did not get to experience a wider variety of outdoor areas until I was older I enjoy the time travel of Ed’s photos taking me back to when I was a kid (or before in many cases) on what some areas looked like since places can and do change whether by human impact or natural occurrence. Getting back to the photo I first saw it was Mount Saint Helens… before the eruption. I was a very young kid when the mountain blew yet I still remember standing on a ridge near the Columbia River Gorge watching it erupt. His before and after series of the mountain is a reminder of the power of Mother Nature and the power of what photos convey.
After seeing the Mount St Helens photo I started looking through more of his work which has been equally enjoyable. Beyond the photos in the book are stories that start to paint a picture of how much easier we have it today in many cases. By this I mean the advancement of gear and technology to lighten our backs. I decided it was becoming too much to lug my “large” DSLR and accessories for long hikes and backpacking. With the recent quality improvements coming in smaller packages I bought a mirror-less camera setup to lighten my load. Yet here is Ed many years earlier exploring places high up, covering long distances and carrying his 4×5 or 5×7 camera and equipment that is most certainly more weight and bulk than my backpacking setup at the scale crushing weight of 8 lbs. or for that matter less than even my DSLR setup. What I am getting at is giving credit to early photographers like Ed that went the extra mile with all the right equipment to get great photos in the earlier days of photography.
Back to the book. It’s stated in the forward how Ed Cooper is a cross between Ansel Adams and Galen Rowell. I would definitely agree and was thinking along these lines before I even read that part simply from going through his work online. I would say most people reading this post have either Ansel or Galen on their list of inspiring photographers, and if Ed isn’t already I would highly suggest adding him. The stories in the book cover peaks not only in the Pacific Northwest, others across North America include Yosemite Valley and Bugaboos in Canada to name just a couple of them.
Reading stories in this book and within his social media pages is a stark reminder of what increase in population has done to restrict our freedoms in many locations we love to visit. Many of his photos captured decades ago when we had less people enjoying outdoor adventures allowed greater flexibility with less rules and regulations where and when you can go. Today many outdoor places from parks to wilderness we visit are not a free-for-all. I certainly understand why we need to have most of these limitations in place yet makes one think how enjoyable it must have been for adventurers like Ed.
If you want to buy one of his books I would suggest buying it directly from him like my wife did. Doing this you can get a personally signed copy should you want one. Here are links to his social media where you can view more of his work and follow him for future posts.
Mini Interview – Although the primary purpose of this post is mentioning my thoughts around Ed’s book and work he was gracious enough to answer a few questions for me as well.
Adrian: I read that you have moved over to digital. Can you tell me when that was and what you feel the advantages or disadvantages it has compared to film?
Ed: I made the complete shift to digital (after experimenting with it for two years) in May of 2007. There are plus and minus features.
On the plus side It relieved me of the burden of carrying heavy packs and time consuming set-ups with a view camera, and it allowed me to shoot many more different images in a set period of time than was otherwise possible. It was also a lot less expensive. At $2.50 of more for each 4×5 film exposure, and my shooting at least 4 to 5 sheets of film at each subject, to make sure one of them was the perfect exposure, costs added up quickly (My record was about 130 sheets of 4×5 film in one day in the Tetons some years ago). Also, in order for art directors and others to view the images, we had to send them out by mail or courier, a time consuming process.
On the minus side, the digital image lacks the control features of a view camera. With swings and tilts you can correct for foreshortening without having to use features of advanced digital imaging and editing programs such as Photoshop. Further, using a view camera, the user has better control of depth of field, enabling one to bring both flowers close at hand and mountains in the distance in focus in the same image. And lastly, only the most expensive digital equipment available can match the resolution in a 4×5 film image. When I scan a 4×5 image at 2400 dpi I get an image size of about 280 MB. This is enough to make a print of 30×40 inches and still have it at about 300 dpi. A sharp image indeed!
Adrian: You have been photographing professionally for many decades, seeing it change and grow. Do you have any thoughts on what the future holds for photography?
Ed: Now, with digital cameras and smart phones, everybody is a photographer. This, of course, makes it much more difficult for someone to become a pro. The use of cams in vehicles, sports helmets, and even in drones has expanded the range of what is possible. I personally don’t like drones as it really invades one sense of privacy. Can you image being on a difficult climb in the backcountry and having one of these things coming with a few feet of you to check you out? They are also quite noisy. We had one buzz our house earlier this year, and if I had a shotgun handy I would have blown it out of the sky. Selfies have become the rage now. My wife and I were on a photo trip for almost 3 weeks this June, and a growing percentage of the photos we saw being taken were selfies, many with selfie sticks as long as 3 feet. One thing is for sure. More images are being taken, both in still and video fashion, and where it will end I do not know.
Adrian: I am sure it’s virtually impossible to pick one trip or photo as a favorite. That said what is one of your favorite photos and or adventures and why?
Ed: There are quite a few images I would pick as my best, but for purposes of this blog I will pick the cover photo of the book “Fifty Years Going to the Mountains”, the east face of Bugaboo Spire in the Bugaboos in Canada, taken August 16, 1964.. Much of my early work was in B&W, and I developed the ability to “see” in B&W. I could look at a scene and immediately vision it in B&W. This was taken from a nearby peak in the Bugaboos. Having climbed this peak several years earlier, I knew the best time of day to be there to get the result I had pictured in my mind at that time. I arrived at the summit of this nearby peak, carrying a 5×7 view camera, at the proper time, in early afternoon. I used infrared film with a red filter. The side lighting on the face from the opposite direction provided the “shine” or glowing effect. I, together with Art Gran, made the first ascent of this face in August on 1960.
Location: Portland, OR
Adrian Klein has a passion for the outdoors and landscape photography that is endless. He has traveled the parks, shorelines and wilderness capturing images that represent each area through his own artistic eye from the curbs to the far off trails.